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Mangilao Donne’ Festival brings the heat | News

A night of rain showers could not stop the heat of the Mangilao Donne’ Festival.

The celebration kicked off Friday night with a festive atmosphere, from island music to decorative lights and hundreds of residents lining up for vendors’ denanche, seasonings, pickles, and other hot and spicy foods.

The festival in honor of the spicy chile or donne’ continues from 11 a.m. to 9 p.m. Sunday.

Fun, games and competitions drew in the crowd, including a greased pig chase, which tested the participants’ ability to hang on to a greased pig for a certain amount of time.

There is something for everyone besides the food and drinks. Children enjoyed the carnival rides and games, while adults set their sights on the arts and crafts, clothing and even plants.

Drew Apatang, a small business owner who founded Chamorro Spice, said he wanted to bring his family down for the heat of the Mangilao festival and for the first time, sell their hot pepper merchandise.

“This is our first year selling at the Mangilao festival, and it is the official physical launch of our products,” said Apatang, of Dededo. “Once we got our business license, we satisfied online orders first through our website.”

Despite the competition, he said he knew they had their special bonds to stand out.

“A lot of people indicated the market is saturated, but we bonded our joy for making our products to build memories,” Apatang said. “This is also home-grown within the family, so this gave my family something to do together and bond as a unit.”

Chalan Pago-Ordot resident Shaeleen Salas, winner of the 2023 National Miss Curvy Pageant, came out in full support of the Mangilao Donne’ Festival.

“I’m so excited for this weekend because this event continues to bring all of us together as an island and keeps us in touch with the ‘pika’ side of our culture,” Salas said. “Come down for all three days and have a blast.”

Mangilao Mayor Allan Ungacta shared the joy of the festival after several weeks of preparation.

“We are very fortunate to pull it off with a lot of us getting involved, including the planning council, the staff and all the people that contributed one way or another,” the mayor said. “Please come. We have a lot of family-oriented activities going on. The vibe is nice, welcoming and comfortable.”

Asan-Maina resident Riki Johnson shared his support for the festival while practicing for his slinging tournament.

“It’s pretty cool to see how nice the vendors are selling all their goods to make a living,” Johnson said. “We’re all here to enjoy, especially with the kids, teenagers and adults all being able to compete in trying to catch a pig.”

Here are some of the Donne’ Festival events and activities for Sunday:

  • Slinging competition, 11 a.m.
  • Pika dessert competition and awards, 12 p.m.
  • Contemporary dance performance by Talent Box, 1 p.m.
  • Donne’ dinanche competition and awards, 2 p.m.
  • Magic show with Anthony Reed, 3 p.m.
  • George Washington High School JROTC exhibition, 4:30 p.m.
  • Live band performance by Taj, 5:30 p.m.
  • Cultural dance by Guma I Mane’lu, 7 p.m.
  • Live band performance by the Radiants, 7:45 p.m.

Mangilao Vice Mayor Kevin Delgado shared his appreciation for the dozens of vendors and staff that helped set up the festival after a two-year pandemic hiatus.

“We tried our very best to incorporate everything and everyone as best we can. We’re so grateful to the vendors for having faith in the festival, giving people options and sharing their talents and specialties,” Delgado said. “This took weeks to set up, so everyone has been going above and beyond. We cannot thank them enough.”


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The Expendables 4 Soundtrack Released: New Blood, New Score

The full soundtrack for The Expendables 4 (officially titled Expend4bles) has been released – check it out below. The action-packed film, directed by Scott Waugh, is the fourth installment in the popular blockbuster series. Fans of the franchise will be pleased to know that veterans Jason Statham, Sylvester Stallone, Dolph Lundgren, and Randy Couture all reprise their roles.

However, what sets this new entry apart are the newcomers who join the star-studded cast. Curtis Jackson, better known as 50 Cent, Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran, and Andy Garcia are some of the fresh faces added to the mix. With their unique talents and styles, they bring a whole new meaning to the term “new blood”.

The film’s synopsis gives us a glimpse of what we can expect: “Armed with every weapon they can get their hands on and the skills to use them, The Expendables are the world’s last line of defense and the team that gets called when all other options are off the table. But new team members with new styles and tactics are going to give ‘new blood’ a whole new meaning.”

Guillaume Roussel takes over as the composer for The Expendables 4, replacing Brian Tyler, who provided the soundtrack for the previous three films. Roussel is known for his work on various action-packed projects, including the 2014 thriller 3 Days To Kill, 2020’s Black Beauty, 2022 French film November, and the Syfy series Happy!

If you’re eager to get a taste of the film’s music, you can stream the full soundtrack below. It’s a perfect blend of adrenaline-pumping tracks and atmospheric melodies that capture the essence of the movie.

The film’s official trailer has already given us a taste of its music. It featured the tracks ‘Can’t Stop’ by Red Hot Chili Peppers and ‘Bad Behavior‘ by Klergy and Erin McCarley, setting the stage for the high-octane action we can expect from The Expendables 4.

Mark your calendars, as The Expendables 4 hits cinemas on September 22, 2023. Fans of the series and action enthusiasts alike can look forward to an epic film experience with a soundtrack to match.

ENND


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LA Auto Show Features Kevin Hart Car Collection 09/22/2023

This year’s Los Angeles Auto
Show will feature an exhibit that definitely vibes with its near-Hollywood location. 

An entire showcase hall at the Los Angeles Convention Center will be devoted to
the “Kevin Hart Kollection,” the comedian, actor and entrepreneur’s favorite personally owned vehicles. 

This will be the first time Hart …




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How brands seek Bappa’s blessings, Marketing & Advertising News, ET BrandEquity

<p>Lord Ganesh (source: Getty Images)</p>
Lord Ganesh (source: Getty Images)

Being a Mumbai girl, growing up in the city witnessing public Ganesh pandals in every locality, I could never ignore the splendour and gaiety of Ganesh Chaturthi.

Preparations for this sacred festival begin months in advance and on the actual day of the festival beautifully crafted statues of Ganesh are placed on raised platforms in homes or in decorated outdoor podiums for people to view and worship.

This year, brands offered their shodashopachara to the Lord with endearing messages and marketing strategies to our screens.

Here’s ETBrandEquity’s compilation featuring some of the topical ads featuring Lord Ganesh.

MG Motors

Morris Garages celebrated the festival with #OurEverydayVignaharta on Ganesh Chaturthi. In the hustle and bustle of our daily lives, we often turn to Lord Ganesh, the Vignaharta, the remover of obstacles. However, it is often our police force that consistently assists us in overcoming obstacles, especially on the roads.

The visuals captured traffic police officers in various scenarios, such as working bravely in heavy rain, navigating through chaotic traffic, and moments of joy captured through their smiles.

To infuse a festive touch, the video sets to the rhythmic beats of dhol tasha, the traditional drum and cymbal music that resonates with the spirited chant of Ganesh Chaturthi.

Pulse

Through an AI-driven video, DS Group’s Pulse paid their offerings with a fusion of tradition and technology. The brand pays tribute to the visionary leader Bal Gangadhar Tilak, who played a pivotal role in reviving the significance of Ganesh Chaturthi during the pre-independence era. This campaign takes us on a journey that portrays Tilak’s relentless efforts to unite people through this auspicious festival, reinvigorating patriotism and fostering a sense of togetherness. It sets an example of how modern technology can be harnessed. It reminds us that Ganesh Chaturthi is not just a festival.

Zomato

Zomato, known for its creative marketing, delivered a surprise for the festival. In their video, two siblings set off for Ganpati darshan, with the younger brother secretly worried about devouring all the modaks and facing his mother’s scolding. But as they reach the temple, the sister realises she forgot to buy modaks, and the brother exclaims, “Aise kese bhul gaye!” In a clever twist, the elder sister swiftly orders modaks via Zomato, and a Zomato delivery guy rushes to their rescue, ensuring that Lord Ganesh doesn’t miss out on his favourite treat.

Uber India

Uber India crafted a whimsical map featuring Lord Ganesh’s vahana, the rat, making its way towards us. The caption, “Aala re aala, Bappa aala!” echoed the excitement and joy associated with the arrival of Lord Ganesh. The brand’s imaginative portrayal not only celebrated the festival but also showcased their cultural sensitivity.

Parle Products

Parle Products, the biscuit brand, captured the entire spectrum of the festival, from the grand arrival of Lord Ganesh to the meticulous preparations, and the heartfelt departure. In their message, they stated, “Majestic festivals call for larger-than-life imagination and celebrations.

Myntra

Myntra, the online fashion retailer, showcased a father-daughter relationship in their Ganesh Chaturthi 2023 campaign. In the brand video, the daughter enthusiastically moulds a Ganesh idol, with her dress getting all muddy in the process. Witnessing her dedication, her father surprises her by gifting a brand new dress from Myntra, making her day even more special. This gesture not only celebrated the bond between a parent and child but also highlighted Myntra’s role in adding joy and convenience to our lives.

Pizza Hut

Pizza Hut blends traditional modaks with their signature pizzas to add fun and foodie twist to the celebration. It serves as a reminder that festivals are a time for creating memorable moments with loved ones.

McDonalds

McDonald’s, the global fast-food giant, incorporated their golden arches logo to form the shape of Lord Ganesh, symbolising the spirit of happiness and triumph over obstacles that the deity represents. This gesture reflected McDonald’s commitment to embracing cultural diversity and celebrating the essence of this beloved festival.

Tide

Tide India, the laundry detergent brand, added a twist to this Ganesh Chaturthi. Their wordplay emphasised the importance of spotless clothing as people prepare to seek Lord Ganesh’s blessings. It’s a reminder that Tide can help keep one’s clothes looking their best even during the festive season.

Burger King

Burger King, the fast-food chain, paid their tribute to Lord Ganesh by conveying their message: “The king of burgers bows to the lord of modak.” This play on words not only showcased their reverence for the deity but also added a touch of humour to the celebration.

Havells India

In the spirit of celebrating Ganesh Chaturthi, Havells India has rolled out its campaign #HavellsKeDeva. The brand has introduced an OOH campaign where 100 designer fans have been put together to bring alive a unique Lord Ganesh Idol. This hoarding aims to celebrate the joy and fervour of the Ganesh Chaturthi festival by combining art and technology, leaving viewers mesmerised with its grandeur and the visual appeal.

PayU India

PayU India quotes Ganpati Bappa, chief executive officer of Vighnaharta that said “Petition to make modaks the universal currency.” A petition that wouldn’t need one a second thought!

Swiggy

Swiggy’s Ganesh Chaturthi 2023 campaign had us saying “Ganpati Bappa Morya” with a twist. The brand’s animated video traced Lord Ganesh’s evolution from modak mischief-maker to modak-sharing guru, reminding us how we all grow in sweetness.

Akasa Air

The aviation company seeks skyful blessings from up above the sky to the world so high! The ad portrays clouds transformed as Lord Ganesh when viewed through the aircraft window. To celebrate the festival in feasty skies, the company’s Cafe Akasa included a festive medley of Khasta Kachori and spicy Ragada, accompanied by Sweet Potato chaat, classic Puran Poli Tart, and a choice of beverage on board.

Hdfc bank

Hdfc bank seeks offering from Bappa this Ganesh Chaturthi. The brand wishes that Lord Ganesh credits more happiness and debits all one’s worries. It suggests keeping one’s interest rising in aartis, modaks and celebration, and let good fortune compound in one’s life.

Hdfc bank’s simple yet sincere gesture reflects the essence of the festival, spreading good wishes and positive vibes to their audience. It’s a reminder of the significance of seeking Lord Ganesh’s blessings for a joyful and prosperous life.

From animated tales of modak-stealing deities to unexpected modak deliveries from Swiggy and heartfelt father-daughter moments courtesy of Myntra, brands didn’t just sell products; they sold smiles and stories.

As we bid adieu to Lord Ganesh for yet another year, let’s celebrate this festive marketing of the brands with digital and devotion. Ganpati Bappa Morya!

Amazon India launches pre-festive campaign ‘Khushiyan apno ki, aur apni bhi’

The campaign encourages customers to place equal importance on self-care alongside that of their loved ones, encouraging them to embrace self and celebrate ‘Me’ within ‘We’

Sidharth Malhotra and Kiara Advani unite for a stylish festive fiesta with Myntra

As part of this collaboration, Malhotra and Advani will feature in a series of festive ad films, where the couple will represent various categories as well as the offers during BFF. With a captivating presence that has charmed millions due to his flawless style and acting prowess, Malhotra’s appeal transcends various demographics, the company stated.

  • Published On Sep 23, 2023 at 07:54 AM IST

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Lise Davidsen and Julia Bullock Jump Start the

The venues couldn’t have been more different: the Metropolitan Opera’s enormous 3,800-seat auditorium welcomed Lise Davidsen, while the Park Avenue Armory’s Restored Board of Officers Room hosted Julia Bullock and just over a hundred lucky audience members. As it turned out, each auditorium proved ideally suited to its performer. Bullock’s subtly intimate art drew the listener close, while Davidsen’s bold dramatic soprano blossomed thrillingly in the Met’s vast expanses.

A woman sings on a stage while a man plays piano
Julia Bullock at the Park Avenue Armory. Maria Baranova, courtesy of the Park Avenue Armory

Those who ordinarily cringe when performers speak to their audiences were doubtless won over by the charming and heartfelt commentary that peppered both singers’ performances. Each eloquently shared the thought behind the admirably eclectic programs she was presenting. Davidsen bubbled with excitement at her return to the Met, where she’s had some of her most noteworthy operatic successes. When Bullock forgot the text of one of her songs, she apologized explaining she’d been awake since 4:30 that morning tending to her 10-month-old infant. She was quickly forgiven by some who had recently experienced tenors Michael Spryes and Allan Clayton singing their Armory recitals from behind distracting music stands.

It used to be that piano-accompanied vocal recitals were predictably arranged around five or six groupings of songs, and the audience would hold its applause until after each group. Davidsen joked knowingly about those expectations when she picked up her wireless microphone in the middle of her first set of songs by Edvard Grieg. She informed us that she relished performing the first three in her native Norwegian, but the three that followed her remarks would be in German. This opportunity to bring music by Scandinavian composers to the Met clearly moved her and though the Grieg found her a bit unsettled, four expansive songs by Sibelius suited her wonderfully.

Most song recitals don’t include arias but Davidsen brought four that expanded the limited repertoire we’ve heard from her at the Met so far. A pair of Verdi excerpts left an equivocal impression: though she’d previously included it in the live-streamed Met Stars Live in Concert in 2020, Amelia’s second aria from Un Ballo in Maschera remains a work in progress (though its cadenza throbbed with agonized despair). Both it and Desdemona’s subdued Ave Maria from Otello made questionable her casting in the Met’s new La Forza del Destino.

However, two days after her Met recital, the BBC relayed a broadcast of Don Carlo from Covent Garden that featured Davidsen as Elisabetta, her first Verdi role. She embodied the embittered queen with sympathetic authority, and I now cautiously look forward to her Forza Leonore. The plangent aria from Tchaikovsky’s The Queen of Spades, the opera of her 2019 Met debut, showed how much Davidsen has grown as an artist: she now conveyed Lisa’s dread with unerring conviction. Her calling card, Elisabeth’s ecstatic “Dich. teure Halle” from Tannhäuser, brought the first half to a rousing conclusion, reminding Wagnerians that she may be the Brünnhilde and Isolde they have been praying for.

The recital’s most satisfying selections proved to be songs by Richard Strauss and, most unexpectedly, by Franz Schubert. Davidsen’s Met Ariadne auf Naxos, Elektra and Der Rosenkavalier have established her as a Strauss exemplar, which her glowing renditions of “Allerseelen” and “Zueignung” upheld. Realizing that some may have been puzzled at her programming of four of Schubert’s most famous songs—works not normally associated with such a voluminous voice—she explained that she was encouraged to embrace songs she loved and perform them in her own way. If she didn’t quite differentiate the contrasting voices of “Erlkönig,” her gripping “Gretchen am Spinnrade” and softly spun “Litanei auf das Fest Aller Seelen,” both aided by extraordinarily accomplished pianist James Baillieu, ardently proved her efforts.

To conclude her concert, Davidsen repeated a showy aria from Kálmán’s operetta Die Csárdásfürstin that she had sung a few days earlier at the Last Night of the Proms in London. Its concluding blow-torch high note likely singed the Met’s rafters. If much of “I Could Have Danced All Night” laid in the least effective part of her voice, she concluded it with a show-stopping high C. “Vissi d’arte,” her inevitable encore, meandered a bit before its splendid climax, but her final song, Grieg’s lovely “Våren,” sent her audience home very happy.

A woman sings on a vast stage in an opera house
Lise Davidsen at the Met. Karen Almond/Met Opera

Overall, Davidsen’s earnest demeanor and endearing commentary made her singing feel warmer than it actually was. At times, her voice exuded what a retired local critic loved to describe as “cool Nordic colorings.” Her striking top register can occasionally emerge harshly, although this tendency was less noticeable in person than on recordings or broadcasts. The seamless evenness of her voice across its registers made even the most challenging music sound effortless.

Meanwhile, Bullock’s luminously delicate yet rangy lyric soprano had no difficulty in filling the Armory’s tiny space, but I’ve read suggestions that it might be too small for the Met where she’ll debut this spring in John Adams’s El Niño. It’s fitting that her first appearance will be in an Adams work, as the composer has written his last two operas expressly for her: Girls of the Golden West and Antony and Cleopatra.

Since first attracting attention as a student at Juilliard, where she excelled in the title roles of The Cunning Little Vixen and Cendrillon, Bullock has dived deeply into rarer repertoire with a searching artistic inquisitiveness. Her Armory program included revelatory examples of her explorations into the work of African-American women like Alberta Hunter, Billie Holiday and Nina Simone. John Arida, Bullock’s modest accompanist, was especially impressive in these bluesy numbers. A searing pair of Simone songs—“Revolution” sung unaccompanied in an arrangement by Bullock herself and “Four Women” arranged by Jeremy Siskind—might have left her audience utterly devastated if she hadn’t followed them with a hymn-like rendition of Billy Taylor’s “I Wish I Knew How it Would Feel to be Free.”

 

Following a fascinatingly personal She Is Asleep (II. Duet) by John Cage with Arida on prepared piano, Bullock performed the recital’s second half with hypnotic grace in a mellow, tear-streaked mezzo. For her single encore, the protean singer returned once more to her golden soprano for a light-as-air “Seligkeit” by Schubert. Rarely have I attended a recital during which a singer wielded such a spellbinding array of vocal colors, which she accessed with astonishing ease.

Her radiant first set by Schubert and Wolf was serenely sung with hands discreetly clasped, but she then delivered two tongue-twisting German songs by Kurt Weill with pointedly flamboyant gestures. Her chameleonic juxtaposition of two of Rossini’s “Mi lagnerò tacendo” with three Luciano Berio popular song arrangements recalled the breathtaking versatility of fellow American Cathy Berberian, for whom Berio originally arranged his pieces. Her crystal-clear diction made glancing at the provided texts and translations almost unnecessary.

Opera wags sometimes divide prima donnas into two camps: dubbing them either kunst-divas (those whose strengths are interpretive) or stimme-divas (those who offer first and foremost a magnificent voice). To describe this pair of sopranos with either would be unfairly reductive. Davidsen’s sensitive interpretive choices showed her to be more than a prodigious vocal phenomenon, while Bullock’s genuinely lovely and impressively wide-ranging soprano is always used in service of her piercing intelligence—she even provided several of the translations in the program.

The Met is lucky to be featuring these young stars in the company’s eagerly awaited new productions next year! But not so fast—first Davidsen will unveil her latest step toward opera superstardom: a Christmas album!

 

Lise Davidsen and Julia Bullock Jump Start New York City’s Classical Music Season




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Making Music Theory Fun: Small Scottish Design Company Releases Music Theory Tool For Guitar – Music Industry Today


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Mark Ronson on Crafting the Emotionally-Charged Soundtrack …

It all began around a month ago, when Ronson—who has a long-standing relationship with Gucci that stretches back over a decade, having DJed a number of their events over the years—was connected with De Sarno to discuss his plans for the brand. “We had a little bit of a chat about his vision for the show, and this ‘ancora’ concept,” said Ronson, referring to the campaign that has seen the multi-layered Italian word for “again” or “still” emblazoned across buildings around the world in the lead-up to the show. “It was really about coming back to something, or falling in love again.” 

Naturally, one of the first songs that sprang to mind for De Sarno was Mina’s 1978 hit, which he then sent to Ronson—who quickly became obsessed. “It has tinges of things that I’ve done before, but it’s also a very epic, Italian sweeping ballad,” said Ronson. “So I preserved a lot of things that are really beautiful about the original, like the vocals and the strings, but then gave it a new beat and added my thing to it. Sabato was telling me about all this other amazing Italian pop music from the ’70s and ’80s that was important to him, so I went down the rabbit hole on that.”

Given the decade-hopping spirit of De Sarno’s collection, however, Ronson also wanted to sprinkle in a few more contemporary touches. After De Sarno told Ronson that his 2019 album of “sad bangers” Late Night Feelings was a particular favorite, the musician decided to incorporate a ghostly remix of the Lykke Li-featuring title track at the beginning, and when they were discussing contemporary artists whose sensibility might dovetail neatly with De Sarno’s vision, they quickly landed on Romy, a mutual friend of the pair who recently released her debut solo album Mid Air. (The soundtrack deftly moved between Li’s melody from “Late Night Feelings” and the soulful, yearning vocals of Romy’s “Loveher.”) 

For Ronson, the experience felt most akin to scoring a film—a realm he ventured into for the first time recently, with his chart-topping soundtrack for Greta Gerwig’s Barbie. “Us musicians or producers are used to serving one master, which is to get the best song possible,” he said. “But what I realized by doing this is that you can have a great piece of music that Sabato would be happy to play in his car on a Sunday night, but it doesn’t necessarily align with how he’s viewing his collection, or what he wants people to feel. Although at some point, if you’re lucky, you end up in the same fever dream, and then everything that you do instinctually seems to be what the other person needs.”


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