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CMF by Nothing debuts with Buds Pro, Watch Pro and Power 65W GaN: Check details here

CMF, a new sub-brand by the London-based consumer tech company Nothing, launched on Tuesday with a portfolio of three debut products — Buds Pro, Watch Pro and Power 65W GaN.

“With CMF, we aim to democratise great design in a market segment that has often been overlooked,” Akis Evangelidis, Co-founder of Nothing, said in the launch announcement. “Through our inaugural products, including Buds Pro, Watch Pro, and Power 65W GaN, we’re combining elevated design with advanced technology to deliver an uncompromised user experience at a relatively accessible price point.”

CMF Buds Pro

The CMF Buds Pro are TWS earbuds, which are priced at Rs 3,499. According to the company, they offer Hybrid Active Noise Cancellation (ANC), Clear Voice Technology for clear calls, and a powerful Dynamic Bass Boost driver. Just like the audio products from Nothing, the CMF Buds Pro are also said to create a fully personalised experience for their users through the Nothing X app.

They house a 55 mAh battery in each earbud, which, as per the company, allows for up to 11 hours of music playback on a single charge (with ANC off). The listening time also extends to up to 39 hours with the charging case on a single charge. The case also supports fast charging that can enable a 5-hour listening session in 10 minutes of charging.

The earbuds come in three colour options — Dark Grey, Light Grey, and Orange.

CMF Watch Pro

CMF’s smartwatch, dubbed the Watch Pro, features a square 1.96-inch AMOLED display with a 58 fps refresh rate and peak brightness of 600+ nits. It offers health tracking with support for 110 sports modes and GPS. CMF claims up to 13 days of battery life for the device with its 340 mAh battery. It is also rated IP68 for water and dust resistance.

It is available in two colour options — Metallic Grey and Dark Grey, priced at Rs 4,999 and Rs 4,499 respectively.

Power 65W GaN

The Power 65W GaN is a charging adapter that uses nitrogen and gallium materials instead of silicon. It is small, portable and widely compatible, as per CMF. It has two USB Type-C ports and one USB Type-A port. CMF also claims that this charger can juice up the Nothing Phone (2) to 50 percent in just 25 minutes.

“The CMF Power 65W GaN charger is compatible with all major fast charging protocols, including PD3.0, QC4.0+/3.0/2.0, SCP, FCP, PPS, AFC, Samsung 9V2A, DCP, and Apple 2.4A,” CMF added.

It is available in Dark Grey and Orange colour options and is priced at Rs 2,999.

Availability

The CMF Buds Pro and the Watch Pro will be first available at the sneaker store Superkicks starting September 30, with limited drops at its Delhi store with special launch prices up to Rs 500 off.

Myntra and Flipkart users can also avail early access and purchase all three products during the limited drop sale on Flipkart and Myntra on September 30 at 12 pm. The products will be available at a special launch price of Rs 2,999 for CMF Buds Pro, Rs 3,999 for Watch Pro (Dark Grey), Rs 4,499 for Watch Pro (Metallic Grey) and Rs 2,699 for Power 65W GaN (Orange).

CMF by Nothing also said that customers who previously bought the Blind Drop Pre-order pass can visit Flipkart on September 30 at 12 pm and redeem the pass on either CMF Buds Pro, Watch Pro, Power 65W GaN and also avail of pre-order offers like special launch price, extra Rs 500 Flipkart voucher and priority delivery.

CMF products will be available on sale for everyone starting with Big Billion Days on Flipkart and also on Myntra. They will also be available in offline stores including Vijay Sales and leading retail partners.


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Mitski picks the best “sex soundtrack” album

Mitski picks the best “sex soundtrack” album

(Credits: Far Out / Ebru Yildiz)

Music

Lust is one of those topics that you might not want to go to Mitski first. The singer-songwriter has plenty of material on love and loss, but when it comes to raunchy sex jams, she probably isn’t exactly the first artist one would think of. But thanks to her broad scope of musical knowledge, Mitski can undoubtedly give you a good bump-and-grind soundtrack – if you’re into that kind of thing.

While being interviewed by Vinyl Me, Please about five of her favourite albums that every music fan should own, the Japanese-American singer picked mostly from the world of jazz. That included Charles Mingus’ Ah Um, Chet Baker’s Chet Baker Sings, and Thelonious Monk’s Monk in Tokyo.

“I’ve got to be honest, I hate how most live jazz recordings are panned, including this one,” Mitski explained about the latter. “I get it, the piano was stage right. But I was born in the ’90s. I need to hear everything in one earbud. Anyway, I love Monk, and I have a soft spot for live jazz recorded in Japan. You can find the footage on YouTube, too.”

For her final two picks, Mitski chose to focus on classical music and experimental compositions. Her first choice was Arnold Schoenberg’s Verklärte Nacht, which contained “the best string piece, in my opinion” with ‘Transfigured Night’. For her last pick, Mitski opted to highlight one of the classic examples of minimalism with Steve Reich’s Music for 18 Musicians.

Featuring eleven selections all based on different chords, Music for 18 Musicians was centred around Reich’s fascination with human pulses. That humanistic element to the music came out in Reich’s decision to include wind instruments like clarinets and even female voices in the piece. For Mitski, it actually represented the height of musical sexual expression.

“Fun fact: Music for 18 Musicians is the best, most tender sex soundtrack in the world,” she claimed. Music for 18 Musicians was a highly acclaimed piece when it was first released on vinyl in 1978. David Bowie was a noted fan of the record, calling it “Balinese gamelan music cross-dressing as minimalism.” Reich would continue to perform and revisit the piece over his career, with the composition also finding its way into the repertoires of more progressive classical ensembles over the years.

Check out Steve Reich’s Music for 18 Musicians down below.


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Classical Music Playlist, September 26, 2023


George Gershwin

Written the year after his “Rhapsody In Blue,” George Gershwin’s 1925 Piano Concerto in F was, at the time, called a “jazz concerto” by critics and audiences. But with its Charleston rhythm, blues nocturne, sonata form and classical rondo, Gershwin brought together the two worlds of both classical and jazz. Gershwin’s Piano Concerto in F is today’s Midday Masterpiece as we mark his birthday with some of Gershwin’s ‘greatest hits’ throughout the day!

6:00 a.m.

Antonio Vivaldi

Oboe Concerto in A minor RV 461

The English Concert; Trevor Pinnock, conductor David Reichenberg, oboe

6:11 a.m.

Joseph Kraus

Concerto for viola and cello in G major VB 153a

Tapiola Sinfonietta David Aaron Carpenter, viola; Riitta Pesola, cello

6:36 a.m.

Johann Sebastian Bach

Prelude, Fugue and Allegro in Eb major BWV 998

Plinio Fernandes, guitar

6:51 a.m.

Arnold Bax

Morning Song (Maytime in Sussex)

London Philharmonic Orchestra; Bryden Thomson, conductor Margaret Fingerhut, piano

7:00 a.m.

Jean Sibelius

Karelia Suite Opus 11

Atlanta Symphony Orchestra; Yoel Levi, conductor

7:17 a.m.

Joseph White

Violin Concerto in F# minor

Encore Chamber Orchestra; Daniel Hege, conductor Rachel Barton Pine, violin

7:40 a.m.

Josquin des Pres

Ave Maria

The Tallis Scholars; Peter Phillips, conductor

7:46 a.m.

Leo Brouwer

Afro-Cuban Lullaby (Cancion de Cuna: Berceuse)

Pablo Sainz Villegas, guitar

7:50 a.m.

Gabriela Lena Frank

Leyendas: VI. Coqueteos

Del Sol String Quartet

7:54 a.m.

Peter Ilyich Tchaikovsky

Sleeping Beauty: Waltz from Act I

Philadelphia Orchestra; Riccardo Muti, conductor

8:00 a.m.

Joseph Bologne, Chevalier de Saint-Georges

Symphony in G Major

Tafelmusik; Jeanne Lamon, conductor

8:15 a.m.

George Gershwin

An American in Paris

London Symphony Orchestra; Andre Previn, conductor

8:35 a.m.

Theodore Dubois

Piano Quartet: Allegro leggiero in A minor

Trio Hochelaga Jean-Luc Plourde, viola

8:40 a.m.

Wolfgang Amadeus Mozart

DON GIOVANNI Overture K 527

Scottish Chamber Orchestra; Christian Baldini, conductor

8:46 a.m.

Antonin Dvorak

Symphony No. 7: IV. Finale in D minor Opus 70

Los Angeles Philharmonic; Gustavo Dudamel, conductor Alice Sara Ott, piano

8:57 a.m.

Franz Joseph Haydn

Symphony No. 94 “Surprise” in G major

Concertgebouw Orchestra; Colin Davis, conductor

9:22 a.m.

Frederick Delius

KOANGA: La Calinda

Northern Sinfonia of England; Richard Hickox, conductor

9:27 a.m.

Bear McCreary

Battlestar Galactica: Dreilide Thrace Sonata No. 1

Bear McCreary, piano

9:34 a.m.

Erich Korngold

Violin Concerto in D major Opus 35

Pittsburgh Symphony Orchestra; Andre Previn, conductor Itzhak Perlman, violin

10:00 a.m.

Johannes Brahms

String Quintet No. 2: I. Allegro non troppo ma con brio in G major Opus 111

Takacs Quartet Lawrence Power, viola

10:14 a.m.

Bernhard Crusell

Clarinet Concerto No. 2 in F minor Opus 5

Finnish Radio Symphony Orchestra; Sakari Oramo, conductor Kari Kriikku, clarinet

10:37 a.m.

Jacob Shea

The Arctic Suite: I. Frozen World

Arctic Philharmonic; Christian Kluxen, conductor Eldbjorg Hemsing, violin

10:42 a.m.

John Knowles Paine

Overture to Shakespeare’s “As You Like It” Opus 28

Ulster Orchestra; JoAnn Falletta, conductor

10:54 a.m.

Joe Hisaishi

A Town with an Ocean View (from Kiki’s Delivery Service)

Royal Philharmonic Orchestra; Joe Hisaishi, conductor David Garrett, violin; Itzhak Perlman, violin

10:59 a.m.

Johann Sebastian Bach

Brandenburg Concerto No. 4 in G major BWV 1049

Musica Antiqua Koln; Reinhardt Goebel, conductor

11:14 a.m.

Craig Armstrong

Glasgow Love Theme (from LOVE ACTUALLY)

English Chamber Orchestra; Stuart Morley, conductor Claire Jones, Harp

11:19 a.m.

William Grant Still

Symphony No. 5 “Western Hemisphere”

Fort Smith Symphony; John Jeter, conductor

11:39 a.m.

Franz Schubert

Nocturne (Notturno for Piano Trio) in Eb major Opus 148 D 897

Takacs Quartet Andreas Haefliger, piano

11:50 a.m.

Jean Sibelius

Andante Festivo

Oslo Philharmonic Orchestra; Mariss Jansons, conductor

11:54 a.m.

Johan Halvorsen

Entry March of the Boyars

Bergen Philharmonic; Neeme Jarvi, conductor

12:00 p.m.

George Friederich Handel

Concerto No. 2 “a due cori” in F major HWV 333

Academy of Ancient Music; Christopher Hogwood, conductor

12:17 p.m.

Cecile Chaminade

Etude Symphonique Opus 28

Joanne Polk, piano

12:22 p.m.

Antonin Dvorak

Piano Quintet No. 2: III. Scherzo (Furiant) in A major Opus 81

Emerson String Quartet Menahem Pressler, piano


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Olivia Rodrigo & Sony Electronics To Release “LinkBuds S X Olivia Rodrigo” Limited Edition Headphones @ Top40-Charts.com

Olivia Rodrigo & Sony Electronics To Release "LinkBuds S X Olivia Rodrigo" Limited Edition Headphones

New York, NY (Top40 Charts) Sony Electronics Inc. and Olivia Rodrigo today announced the release of LinkBuds S x Olivia Rodrigo designed and tuned in collaboration with three-time GRAMMY-winning, multi-platinum-selling, singer/songwriter Olivia Rodrigo. Based off Sony’s LinkBuds S noise-canceling truly-wireless headphones, the new limited edition LinkBuds S x Olivia Rodrigo feature Custom EQs (special equalizers) tuned by Olivia and her producer Daniel Nigro for optimal listening of her albums GUTS and SOUR on any music streaming service and come in a unique violet marble pattern styled by Olivia and made with factory-recovered plastic and reclaimed water bottles.
For more information and to pre-order LinkBuds S x Olivia Rodrigo please visit https://electronics.sony.com/audio/headphones/truly-wireless-earbuds/p/wfls900nv.
“I’m so excited that I got to design a limited edition LinkBuds S in the color violet. The sound is incredible, and I can’t wait for my fans to experience GUTS in this way,” says Olivia.
“These headphones are meant to deliver a listening experience that is a personal extension of Olivia Rodrigo’s creative intent and unique sound,” says Hiroshi Nakamura, Head of Personal Entertainment Business Unit, Sony Corporation. “As a company that puts creator vision over everything, Sony aims to connect artists with their fans in innovative ways. Olivia’s authenticity and commitment to her fanbase is one we wanted to honor with this amazing LinkBuds S partnership.”

Listen Like Olivia with Her Custom EQ:

The LinkBuds S x Olivia Rodrigo includes two special equalizers customized for Olivia’s music that can be accessed through the Sony|Headphones Connect app1, allowing fans to listen like Olivia.

Sustainability & Design:

When designing the LinkBuds S x Olivia Rodrigo, Olivia chose an environmentally-conscious design using factory-recovered plastic, reclaimed water bottles, and recycled plastic materials from automobile parts to create parts of the case and body of the headphones 2. Due to the variation in material, the headphones host a violet marble pattern that causes no two pairs of LinkBuds S x Olivia Rodrigo to be the same.

LinkBuds S Noise-Canceling and High-Resolution Audio Wireless:

Just like the LinkBuds S, the LinkBuds S x Olivia Rodrigo feature noise-canceling, High-Resolution Audio Wireless, and host an ultra-small and lightweight design so fans will be able to comfortably listen to their favorite album all day long. Smart features such as Adaptive Sound Control and Auto Play senses the user’s behavior and automatically adjust sound settings to provide the right sound for the moment. The LinkBuds S combines innovative ambient sound that lets the listener interact with the world around them with high-quality noise-canceling technology allowing them to focus on their favorite track from Olivia and nothing else.

The LinkBuds S allow the listener to experience High-Resolution Audio Wireless, thanks to Sony’s industry-adopted audio coding technology, LDAC 3. All music will be restored back to high-range sound with the use of DSEE Extreme that upscales digital music files in real time4, allowing the listener to appreciate all the fine details in their most-loved tracks.

Pricing and availability:

The LinkBuds S x Olivia Rodrigo will be priced at MSRP USD $199.99 and available in the United States for pre-order today at Sony.com and authorized dealers.

For U.S. preorders, please visit: https://electronics.sony.com/audio/headphones/truly-wireless-earbuds/p/wfls900nv

For full LinkBuds S specifications, please visit: https://electronics.sony.com/audio/headphones/truly-wireless-earbuds/p/wfls900nv

360 Reality Audio Collaboration:

As part of the overall collaboration, Olivia’s new album GUTS has been mixed and released in Sony’s 360 Reality Audio, a new immersive music experience powered by Sony’s 360 spatial sound technology. Individual sounds from the album such as vocals, chorus, piano, guitar, and bass, among others, have been placed in a 360 spherical sound field, bringing fans closer to Olivia’s music. GUTS can be enjoyed in 360 Reality Audio with most headphones through compatible music streaming services such as Amazon Music Unlimited and TIDAL1.

Sony “For The Music”:

As the preeminent platform for creative freedom, Sony has built a committed relationship with creators in the field of music production and has been an ever-present bridge connecting creators and consumers with its audio products, delivering authentic music experiences worldwide. Sony is building off this legacy by putting creator vision over everything with its new “For The Music” audio brand platform for its premier audio products and services as a means of providing artists and fans with the most immersive music experiences.

Sony’s “For The Music” fosters end-to-end collaboration with artists, from creation to consumption of music. Most notably, “For The Music” champions artist development, supporting creative endeavors including specialty content, activations, experiences and more, all to benefit music fans. Additionally, the platform facilitates artist access and input on professional products (professional headphones and microphones) and tools (such as 360 Reality Audio and 360 Virtual Mixing Environment) to improve content creation approaches, and to enhance listening experiences for fans through consumer products (such as headphones, wireless speakers). To learn more about the “For the Music” Brand platform, please visit forthemusic.electronics.sony.com.




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Alain Goraguer: La Planète Sauvage (Expanded Original Sound…

While René Laloux’s 1973 animated film La Planète Sauvage (Fantastic Planet) is celebrated for its enduringly shocking, Dali-esque visuals, Alain Goraguer’s soundtrack is a surrealist triumph in itself. Composed for the French-language story of a planet where humans are hunted and domesticated by gigantic blue aliens, its orchestral fusion of jazz, prog rock and modern classical still feels—as the film’s adverts once trumpeted—“Strange! Frightening! Fascinating!”

Goraguer ought to be better known. Born in 1931, he was a go-to arranger for French pop giants like Serge Gainsbourg, Jean Ferrat, and France Gall, but he often avoided the limelight, using pseudonyms like Milton Lewis or Laura Fontaine. Despite the global stardom his music helped others achieve, his death in February of this year went relatively unpublicized. His score for La Planète Sauvage has similarly left a legacy from the shadows, having been sampled by generations of major hip-hop artists. Appearing the summer of DJ Kool Herc’s block party, it was dusted off in the ’90s by KRS One and Big Pun, in the ’00s by Madlib (as Quasimoto) and J Dilla, and over the past decade by Mac Miller, Little Simz, Flying Lotus and Denzel Curry, and Run the Jewels. A new 50th-anniversary reissue—including 10 unreleased cuts—is a fresh reminder that Goraguer’s score is a true avant-garde gem.

Most of the original score’s 25 short pieces refer to two motifs that first appear in the prowling, noirish opener, “Déshominisation (I)”: a descending melody and a twanging bass riff first heard amid a jazz drum groove, trembling orchestral strings, and flashes of flanged guitar. While iterating on a core motif is a common device in film scores, the extent of Goraguer’s repetition is striking. (A looming deadline may have necessitated his recycling: After the French-Czech co-production dragged on for five years—a period interrupted by the Soviet invasion of Czechoslovakia—Goraguer was brought on at the very end, and given just weeks to complete his score.) Regardless, each instance is full of new twists: The melody reappears as jaunty pop in “Le bracelet,” terrifying stabs in “La cité des hommes libres,” and an eerily romantic waltz in “Les fusées / Valse des statues.”

While an enormous procession of orchestral and rock instruments (from saxophones to flexatones) adds variety and color, the real joy is in Goraguer’s far-ranging uses of recurring elements. Standouts include the expressive female vocals, which deliver a melancholy solo on “Terr et Tiwa dorment” and eerily seductive sighs on “La Femme.” If this might be expected from an arranger for great chansonnières like Isabelle Aubret, his wildly contrasting electric-guitar arrangements are more surprising: from Derek Bailey-esque probing on “Attaque des robots” to dramatic soloing on “Générique (Fin).”


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Renowned Ballinasloe composer launches €5,000 classical mu…


Oscars conductor and composer Eimear Noone, from Ballinasloe, at the launch of the 2023 Top Security/Frank Maher Classical Music Awards for talented teens. Eimear is pictured with 18-year-old Daimee Ng, last year’s winner.

Eimear Noone, the award-winning composer and conductor from Ballinasloe, has lent her support to the 2023 Top Security/Frank Maher Classical Music Awards for talented teens.

With a €5,000 prize for the winner, this is Ireland’s largest classic music competition for secondary schools, and closing date for entries is October 6, 2023.

Eimear, who became the first woman to conduct at the Academy Awards (Oscars) in 2020, launched the call for entries to the competition by taking part in a photocall with last year’s winner, violinist Daimee Ng.

“Support for young artists and creative professionals is something we need more of in Ireland. Congratulations to the team behind the Frank Maher Awards for making a positive impact on young musicians both professionally and psychologically,” said Eimear.

Last year’s winner, 18-year-old Daimee Ng from The High School in Dublin achieved top honours in her Leaving Cert and has decided to forgo her university offers to pursue a career in music.

Daimee said, “It was wonderful to meet and play for Eimear Noone, she was incredibly supportive and gave me a lot of advice and encouragement.

“I’m now taking a gap year to attend masterclasses and explore the opportunities that the wider musical world has to offer before I audition for several renowned music colleges in Europe to start the next stage of my musical journey.”

The Top Security/Frank Maher Classical Music Awards were created in 2001 by Emmet O’Rafferty, chairman of the Top Security Group, to honour the memory of his late teacher, Fr Frank Maher, a pioneer in the nurturing of musical talent in secondary schools.

The awards went nationwide in 2012, and past winners include pianists Kevin Jansson and Aidan Chan, violinists Julieanne Forrest and Mairead Hickey and cellists Killian White and Sinead O’Halloran.

The awards are open to sixth year post-primary students of string, woodwind, brass and piano.

The €5,000 top prize will be used by the winner to attend a recognised place of tuition, a course of study in Ireland or abroad or on a purchase necessary for the development of their talent. The remaining finalists will each receive a €300 bursary.

Further information, rules and a copy of the application form for downloading can be found at: www.frankmaherclassicalmusicawards.com




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Alondra De La Parra, The Mexican Who Took Classical


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5 Reasons To Visit Hotel Xcaret Arte in Playa del Carmen

The coastline along Cancun, Playa del Carmen and the Riviera Maya is full of beautiful resorts with lavish pools and extensive menus. But, many are quite similar following the same format for fun in the sun. Hotel Xcaret Arte takes a different approach offering an upscale resort experience that leans heavily into Mexican design, art and culture. It is truly immersive, and in many ways feels like a museum and a resort merged into one outdoor oasis.

As a member of Preferred Hotels & Resorts, it participates in the I Prefer Hotel Rewards program, allowing members to earn and redeem points during their stay. For an all-inclusive resort, that’s a great offer. The audience of the resort is a balanced mix of American and Mexican guests, which is proof that the cuisine and experience truly reflects the heart of this nation. Here are five reasons why Hotel Xcaret Arte should be your go-to choice when visiting Playa del Carmen.

The gardens

gardensAfter your complimentary airport transfer, arriving in this hidden-away resort is such a pleasant surprise. So extensive is this resort that it hardly seems like it has 900 suites. You will rarely see more than a few dozen at any one time. It’s an all-inclusive, adults-only property welcoming guests over 16.

kayakersYou’ll want to pay attention as your butler greets you upon arrival and walks you to the room. It’s a massive resort with winding pathways (including some hanging bridges), fountain-lined walks, and rows of trees and flowers recreating a jungle-like feeling. Birds and iguanas abound. The developers showed respect for nature in the construction. They kept as many trees and plants in place as possible, but those that did have to be moved were replanted elsewhere.

poolsEvery twist and turn leads you to another exotic scene from people stand-up paddle boarding in cenotes surrounded by lush greenery to the caves with soaking pools in the spa leading to a cliff overlooking a pond. You will want your camera with you everywhere you go here. Mayan influences blend in with the natural surroundings, all notable in the architecture. You’ll even notice the ancient Mayan system of numbers used around the grounds. It’s easy to learn once you crack the code.

The pools

poolsYou cannot walk far without discovering a new swimming pool. The largest has an infinity edge and swim-up bar in the center of the resort. Another is reserved for guests in Casa de las Artistas. On the rooftop of each building, additional pools are available to all guests with different amenities. In the music-themed building, music is piped in to enjoy under water.

No detail seems to have gone missing. Pool staff patrol the edges offering sunscreen, towels, chilled water and after-sun gel. Rolling carts and stands prepare popular Mexican snacks to order while roving bartenders keep cups full.

poolThe spa here is simply epic with a roster of treatments that are customizable from massage to beauty services. They begin with a visit to the apothecary-like shop where the staff helps you pick your preferred aromatherapy oils. After a treatment, guests can lounge in the hydrotherapy pool, whirlpools, heated or chilled plunges, and relaxation areas. There are also experience showers, saunas, steam rooms and ice rooms.

poolWander down to the private beaches for more places to relax. There is a bar on one of the hanging bridges that crosses the cenote. Be sure to stop there and laze in an overwater hammock before heading down to the sand.

The cuisine

restaurantUnlike other all-inclusive resorts, the cuisine here is far from average buffets and the standard a la carte favorites. It is truly world-class. Almost a dozen famous Mexican chefs inspired the menus here, including Michelin-starred Paco Méndez. Don’t expect your standard Mexican, Japanese, Italian and American steakhouse eateries here. In fact, it is completely different from any other all-inclusive.

Let’s start with Mercado San Juan, the main buffet restaurant designed to look like a Mexican market. It is sensory overload with bursts of color everywhere from crates piled high with fruits and vegetables, pinatas hanging from the ceiling, Mexican art everywhere and live action stations preparing food from every corner of the nation.

marketFor three meals a day, the staff carves meats, scoops homemade ice cream, mixes smoothies, prepares tacos to order and stuffs chiles with cheese. There are probably 20 different kinds of sauces and flavors you can add to every station. Weekly brunches add mariachi bands and even more menu options. It’s top-class.

tacosOn a rooftop, there is a 100% vegan restaurant serving plant-based food, another Mexican venue and a poolside option. Other restaurants include a Lebanese-Oaxacan fusion restaurant blending flavors from both legendary cuisines into one menu and a gourmet tasting room preparing molecular cuisine similar to what you would expect in London or New York. The latter are reserved for guests staying in the premium oceanfront building, Casa de las Artistas, or carry a surcharge. Late at night, the number of bars is plentiful, and the speakeasy winding through the staff areas behind the scenes is a secret favorite.

The culture

paintersMexican culture surrounds you here. It starts with each of the main buildings designed around different themes like art, weaving, literature, design and dance. The décor of each building delves into that topic exposing guests to beautiful tiles and art on the walls. Sculptures, books, furniture and even in-room welcome gifts continue the storytelling of Mexican traditions and pastimes.

Each building also holds complimentary workshops allowing guests to participate in Mexican activities. There are pottery and painting classes, weaving workshops and dance lessons. Both the products and the memories you make are yours to keep.

sculptureLocal artists and photographers have their works on display around the resort. Rotating exhibitions are common, but some have become so popular that they are now permanent fixtures. Even in the sun, it is common to see people wandering every nook and cranny to snap photos of these whimsical pieces.

Up on the hill is a gorgeous chapel with beautiful views of the water and resort. This is a popular spot for weddings and social functions. There is also a separate conference area where splashing fountains, colorful art and air conditioned meeting space lures groups. If you prefer to stay put, chances are you will encounter one of the entertainers that breaks into dance near the dance building or can partake in painting a watercolor canvas in the spa.

weaving If you tire of the onsite culture, head to the resort’s numerous theme parks. They include a water park, zoo and history venue showcasing ancient Mayan culture. Entry is free for guests. You’ll discover everything from zip lining through the jungle to cave exploration and entertaining shows.

The suites

roomEach of the accommodation buildings is different in design and color scheme. The focus is to highlight that building’s cultural theme. For example, Casa de las Artistas (which fronts the beach and has its own private pool) has hand-painted furniture unique to each room. Mosaic tiles in the showers are painted in a neighboring village.

The views from balconies are exceptional, but vary depending on the building. Some open directly to their own pools while others seem to float amid the trees. No matter what the view, you can feel like you are floating since they have hammocks (they also have free minibars if you want to float a different way). Inside, the beds have pillowtop mattresses, incredible duvets and four pillows that are so fluffy, but don’t squish when you lean on them. They are heavenly.

roomDesigners wanted bathrooms to be as panoramic as the guest rooms. Open-plan vanity areas permit direct views of the balcony. The showers have translucent glass panels that are just low enough so your eyes can peer off into nature without losing privacy. Even the water closets have special dimmer switches on a window that turns the toilet view opaque or transparent. From the jetted soaking tub (call your butler if you want a bubble bath prepared), you guessed it, it faces the window.

Spa-branded toiletries fill the room and spa offering another nod to Mexican ingredients. Bedside power outlets are convenient, desks have more charging ports and minibars come loaded with local snacks and candy replenished daily. During turndown service, the doting staff delivers small gifts from reusable water bottles (the property has a commendable eco-focus) to small wicker baskets filled with Mexican sweets. In the closet, a take-home tote bag has more Mexican designs.


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Proteins of Magic on ‘Dirty Dancing: Soundtrack’

Music Feeds’ Love Letter to a Record series asks artists to reflect on their relationship with the music they love and share stories about how it has influenced their lives. Nashville via Aotearoa singer-songwriter and multi-instrumentalist Kelly Steven – aka Proteins of Magic – pays tribute to Dirty Dancing (Original Motion Picture Soundtrack), released in 1987.

Kelly Steven was inspired to write her latest Proteins of Magic single, ‘Flesh It Out’, after watching a young couple have sex in broad daylight on a beach in Aotearoa. “The song lays out an emotionally treacherous life for them,” said Steven. “A day in the life spanning 10 years and 2 minutes and 52 seconds.” Watch the Ranger Garrett-directed video for ‘Flesh It Out’ at the bottom of this page.

Proteins of Magic’s love letter to the Dirty Dancing soundtrack

Proteins of Magic: I remember first listening to this soundtrack when I was about six years old. Though I was very young at the time, I vividly remember the emotional intensity of each track and how it elevated the movie to a place it never would have been able to go without the music.

The intense longing of Eric Carmen’s ‘Hungry Eyes’ and Patrick Swayze and Wendy Fraser’s ‘She’s Like the Wind’, both love songs with intrinsic sadness and yearning. I remember crying to these in my bedroom while the well-worn tape spun on its lonely cogs. Even the more upbeat tracks like The Ronettes’ ‘Be My Baby’ were tinted with a melancholy that spoke to my inner blooming creativity.

I remember trying to emulate the dance moves from the movie with my school friend in my bedroom, thinking we nailed it, but it was the opposite. Young delusion! I always wanted to be Patrick. This was the first tape I’d ever bought. In fact, I think I stole it from my brother’s bedroom, but it contained intricate, deeply touching songs that were to forever change me.

Proteins of Magic – ‘Flesh It Out’

Further Reading

Juice Webster: The Emotions, Changes and Spaces that Made ‘JULIA’

Love Letter to a Record: Cody Jon on ‘Coraline’ Original Motion Picture Soundtrack

“Free Sky Ferreira” Banner Flies Over Capitol Records in Los Angeles


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Alondra De La Parra, The Mexican Who Took Classical Music …


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